RUNS IN THE CLOUD
DROPCUT.
Your editing desk, automated.
Automated editing for tandem dropzones. Branded film and sorted photos, edited in minutes.
An editing desk is a cost that can easily be replaced.
Every editor cuts differently
The standard isn’t in your hands — it’s in whoever’s editing today.
Busy days become backlogs
Each film is manual work. Customers wait, and busy days turn into backlogs.
Salaries only go up
Salaries rise every year. The work behind them does not change.
This is the desk DROPCUT replaces.
Put your own numbers in.
Two fields and your monthly volume. See what the desk costs you before a single film is sold.
Gross, as it leaves your account.
Dropzones running DROPCUT are cutting their expenses by 40% or more, consistently.
Indicative only. Your real figure depends on how much of the desk you keep. Nothing here is a quote.
DROPCUT
same edit,
every time.
Footage comes in, DROPCUT edits it: pacing, music timing, brand treatment. A finished film goes out. Every film comes out the same quality. No editor touches it.
The edit is done systematically. Same result, every time.
Your brand, baked in
You set logo, intro, outro, watermark and music once. DROPCUT applies them to every film it cuts.
Volume changes nothing
Ten jumps a day or two hundred, DROPCUT edits them all, at the same standard.
Nobody to retrain
The editing doesn't live in someone's head. DROPCUT holds the standard, not your staff.
Photo sorting.
Every jump leaves hundreds of stills, and most are not worth sending. DROPCUT keeps the good ones and holds back the rest.
Your DZ, in the cloud.
A server reserved for your dropzone alone does all the work. Nothing else about your operation changes.
Storage, handled for you
One link per jumper
Your own dedicated server
Nothing to install or maintain
Always the latest version
One standard, every DZ
12,000 FT — DOOR OPEN
LAND. DROP. CUT.
SEND IT.
Drop the raw files in — outside camera or handcam. That's the whole job.
Sorted, edited, slow-motion on the money moments, transitions and your brand applied.
A finished film, the best photos, and a reel ready to share — all for the customer, all in minutes.
Engineered by jumpers.
Two skydiving instructors and tandem cameramen, thousands of jumps each. We built the tool we wanted on the ground.
Our vision is simple: keep building the best, most effortless solution a dropzone can run — and keep making it better every season.
See it on your own footage.
Bring one of your own jumps to a live call. We run it through DROPCUT while you watch, raw footage to finished film, in the same conversation.
Every jump becomes
social media work.
Alongside the film, every jump comes out as a vertical cut, sized for the phone, with your brand on it. The customer gets it to share.
Every jumper walks away with something worth posting.